Performer-Magazine

THE MUSICIAN’S RESOURCE

SEPT 2012 FREE

D E E P T I M E

Going from Bedroom Recording to Pro Studios

plus

CONNECT WITH COMMUNITY RADIO MIX MIDI AND SOFT SYNTHS IN THE STUDIO WITH JIMMY HERRING SUMMER NAMM WRAP-UP REPORT

interviews MY DARLING CLEMENTINE THE WHOEVERS

APE SCHOOL SEAN ROWE

PreSonus ™ AudioBox ™ 1818VSL. The thoroughbred USB 2.0 interface that’s more than just a one-trick pony. i

F rom the folks who brought you the highly-respected FireStudio series interfaces, comes the same robust design and pristine sonics in a USB 2.0 design. Same Class A, high-voltage, XMAX ™

Because the 1818VSL’s Virtual Mixer has a whole StudioLive Fat Channel of EQ, compression, and limiting plus reverb and delay effects, you can use it live on stage as a one rack space StudioLive mixer with iPad® control !

microphone preamps that can render the most deli cate musical details. Top-quality digital

So we sliced up a StudioLive ™ 16.0.2 digital mixer and put its Fat Channel processors into the AudioBox 1818VSL interface—and then added reverb and delay. Now you canmonitor with effects…free from audible latency. The interface you can also use as a live performance mixer. On your laptop screen, the 1818VSL’s 26 x 8 Virtual Mixer looks a lot like VSL* on a StudioLive digital mixer. And it is. Complete with scene save and recall, and 50 signal process ing pre-sets. Now, with AB1818VSL Remote for iPad ® , a free download from the Apps Store, you canmix live while adding both effects and signal processing to your PA andmonitor! Get full info on our website and then visit your PreSonus dealer soon.

converters with –114dB dynamic range and JetPLL ™ Synchronization to ensure optimal converter performance, better stereo separation and increased trans parency. And big-boy features like Sync (Word Clock) Out, 8-channel ADAT I/O, and S/PDIF I/O. Monitor with natural-sounding effects and signal processing. You’ll make dramatically better recordings when you can hear real-time reverb, compression, and EQ in your headphones while tracking. Easy to do if you have a digital mixer or outboard effects processors. Impossible if you try to rely on your DAW effects plug-ins due to excessive latency (delay) that makes you sound like you’re playing in a tunnel. S e e

Grunge is more than just a genre. As any singer knows, grunge (along with dirt, grime, and sludge) is what happens to a vocal microphone, especially when it’s shared among different performers. Share music, not microbes. Get REBATES today on your own new Audio-Technica professional & elite vocal microphones…and Get Your Own Mic!

PreSonuSphere

Second Annual Users’ Conference September 28-29, 2012, Baton Rouge, LA ht tp : / /pr esonusphe r e . pr esonus . com

SEE THE VIDEOS ——— ——————

! WARNING ! You may never use a club mic again! Visit audio-technica.com for details and nd your own mic.

*Virtual StudioLive. Our remote control program for Mac and PC.©2012, PreSonus Audio Electronics, All Rights Reserved. XMAX, FireStudio, StudioLive, and AudioBox are trademarks of PreSonus Audio Electronics. Weather in Baton Rouge at time of making this ad: a sizzling 98˚. But nice by September for PreSonuSphere.

Baton Rouge • USA

www.presonus.com

Rebates for products purchased between July 1, 2012 and December 31, 2012.

iPad is a trademark of Apple Inc., registered in the U.S. and other countries. Wi-Fi router required for wireless operation. Wi-Fi router and iPad not included.

Break free from FOH confinement. With the DL1608’s seamless wired to wireless mixing capability, you can dial in the perfect mix from anywhere in the venue. Walk the room. Ring out monitors on stage. Mix from the bar. Hey, we just want you to be free. Think of it as 16 channels of digital liberation.

wireless And tasty.

Learn more!

TA B L E O F CO N T E N T S

VOL.22, ISSUE 9

Keeping Austin weird, Deep Time (formerly Yellow Fever) is on a mission to create what they call “minimal weirdo pop.” They also happen to have some great insight on transitioning from bedroom recording projects to professional studios. Deep Time by Andrew Fersch

STORY 28

COVER

18

22

26

My Darling Clementine by Andrew Fersch The WHOevers by Jacquinn Williams

Sean Rowe by Beth Ann Downey

Chicagohasno shortage of great hip-hop, and the WHOevers are looking to rise to the top of the hip-hop heap. These two FilipinoMCs dish about their heritage, using social media to promote their music, and pre-recording tracks with Cubase.

In the UK, if you ain’t American, you ain’t country. Or at least that’swhatMDC is trying to disprove. Join us as we chat about vintage recording techniques, the duo’s marriage and its impact on the band, and the coolness factor of Stetson hats.

The deep-voiced singer/songwriter has a brand new album out on ANTI-, and we recently had a chance to talk with him about his cinematic lyrics, integrating nature into his writing, and his approach to new recording processes.

D E PA R TM E N T S

5 6

32 44 47 48 49 50 52

54 56

Top Picks: The best in new music Connect With Community Radio Legal Pad: Unpaid Internships My Favorite Axe: with David Tyberg Recording: Pianos & Keyboards Pt. 2 Studio Diary: Jimmy Herring Summer NAMM Special Report

Gear Reviews Flashback: Scully LS-76 Vinyl Cutting Lathe

Obituaries Local News Tour Stop: Minneapolis, MN

13 14

Spotlights: Sean Wheeler & Zander Schloss, Ape School, Krewella, The Ducky Boys

Photos - counter-clockwise from top. Angel Ceballos, Marius Bugge, Richard Battye, Sean Glombowski Cover photo by Ben Aqua

SEPTEMBER 2012 PERFORMER MAGAZINE 3

F R OM T H E T O P

Howdy, y’all! Chances are, you’re not going to make it big in the music business. Now, I say this not to bumyou out or to encourage you to put down your instrument. I say this because Performer is not here to fill your head with BS tales of how to strike it rich or how to become “the next big thing.” When I see those types of headlines gracing the pages of our Distinguished Competitors, I cringe. “Become a Music Industry Mogul,” one article exclaimed. “How to Make It Big in the Music Business,” screamed another. Nonsense. There are a handful of actual moguls left, and I can unequivocally guarantee that none of them got there by reading an article or following a step-by-step roadmap to success. Truth is (and you already know this), there are only a handful of spots at the top of the game. The U2s of the world. The Madonnas. The Taylor Swifts. If anyone could get there by just following a few simple directions they ripped from a magazine, then everyone would be a star. They aren’t.

Volume 22, Issue 9

The people we cater to, the true artists , are the ones out there on the road, in the studios, making music their day job. Making it their living. Success, as far as I’mconcerned, is doingwhat you love, full time, for as long as you can. And for our readers, and the musicians we write about, that’s the true measure of a career. So you won’t find ink wasted between our covers on bogus articles, written by people who never made it big themselves, telling you how to become a mega-star. Instead, you’ll find interviews with DIY musicians on their craft. Top picks for great new music we’ve discovered. Practical tips you can actually use in your career: studio tricks, unique packaging ideas, DIY promo articles for you and your band, legal advice and the straight dope on new gear. We can’t (and won’t) ever waste your time by promising you’ll make it big. But stick with us, and I can guarantee that you’ll find truly useful info, written by fellow artists and creative professionals who know a thing or two about what they’re talking about.

24Dane St., Suite 3 Somerville,MA02143 Phone: 617-627-9200 - Fax: 617-627-9930

PUBLISHER WilliamHouse - bill@performermag.com

EDITOR BenjaminRicci - ben@performermag.com

DESIGN AND ART DIRECTION Joe LoVasco - scoutco1@gmail.com

EDITORIAL ASSISTANT SamanthaWard editorial@performermag.com

CONTRIBUTING WRITERS AdamBarnosky, AndrewFersch, BenMarazzi, BenjaminRicci, BethAnnDowney, BradHardisty, Brent Godin, CandaceMcDuffie, ChrisDevine, Christopher Petro, EricWolff, Heidi Schmitt, JacquinnWilliams, JasonAshcraft, JodyAmable, JuliaDeStefano, JulieCerick, LucyFernandes, M.C. Rhodes, Pete Lyman, SamanthaWard, ShawnMHaney, TanyaFuller, TaraLacey, TaylorHaag, VanessaBennett, WarrenMcQuiston, ZacCataldo, Zack Sulsky CONTRIBUTING PHOTOGRAPHERS Angel Ceballos, BenAqua, BradHardisty, Brian Jenkins, DarshanaBorah, GeoffMoore, JaredManzo, JasonThrasher, JoeNiem, Jonat hunder, JulieCerick, KateEldridge LaurenMangini,Marius Bugge, NikkoLamere, PaigeCavazos, Patty Scott Smith, RichardBattye, RickCarroll, SeanGlombowski, StefanKlapko, StephanRidgway, Steve Lyon, Svadilfari, TanyaFuller, VanessaBennett, ZacCataldo

-Benjamin Ricci Editor P.S. – Tune in next monthwhenwe give you the inside scoop on becoming a YouTube sensation!

performermag.com

/performermagazine

/performermag

ABOUT US Performer Magazine , a nationally distributed musician’s trade publication, focuses on independent musicians, those unsigned and on small labels, and their success in a DIY environment. We’re dedicated to promoting lesser-known talent and being the first to in troduce you to artists you should know about. MUSIC SUBMISSIONS We listen to everything that comes into the office. We prefer physical CDs, cassettes and vinyl over downloads. If you do not have a physical copy, send download links to editorial@performermag.com . No attachments, please. Send CDs to: PerformerMagazine Attn: Reviews 24 Dane St. Somerville, MA 02143

EDITORIAL SUBMISSIONS In the words of our esteemed forefathers at CREEM : “This is just to say we want you. That should’ve been obvious all along, of course, but just in case it wasn’t here’s the deal: NOBODYWHOWRITES FOR THIS RAG’S GOT ANYTHING YOUAIN’T GOT , at least in the way of credentials. There’s no reason why you shouldn’t be sending us your stuff: reviews, features, pho tos, recording tips, DIY advice or whatever else you have in mind that might be interest ing to our readers: independent and DIY mu sicians. Who else do ya knowwho’ll publish you? We really will...ask any of our dozens of satisfied customers. Just bop it along to us to editorial@performermag.com and see what comes back your way. There’s really no such thing as an ‘unsolicited submission,’ you know, and if you have eyes to be in print, this just might be the place. Whaddya got to lose?Whaddya got? ”

ADVERTISING SALES KathleenMackay - kathleen@performermag.com DeborahRice - deborah@performermag.com

© 2012 by Performer Publications, Inc. All rights reserved. No part of this publication may be reproduced by any method whatsoever without the written permission of the publisher. The maga zine accepts no responsibility for unsolicited record ings, manuscripts, artwork or photographs and will not return such materials unless requested and accompanied by a SASE.

Annual Subscription Rate is $30 in the U.S.; $45 outside the U.S.

4 SEPTEMBER 2012 PERFORMER MAGAZINE

AUSTIN

DIRECTORY

Bill Doss, 43 Olivia Tremor Control, Elephant 6 Founder 43-year-old Bill Doss, member of psy chedelic indie-rock band Olivia Tremor Control and co-founder of TheElephant 6 Recording Company, died July 30. Doss formed Olivia Tremor Control in 1988 with musicians Jeff Mangum and Will Cullen Hart. They were known for their albums that read as conceptual

Jon Lord, 71 Deep Purple Keyboardist

It would be any band’s dream to play to the mass of sixty thousand plus people that converge on Austin City Limits each year. The festivities go down in just a matter of weeks – October 12-14. Getting booked to play this festival is like reaching the peak of a crag after a grueling hike – it takes a several careful steps toget there. Since the festival’s birth in 2002, Austin City Limits has seen itself grow from a two day, thirty band event to an iconic showcase for stadium size acts like Pearl Jam, Dave Matthews, The Eagles, and this year’s headliners Red Hot Chili Peppers. The festival’s senior promoters have to spend less time convincing bands and representatives that the festival is worth playing and more time sifting through the thousands of submissions they get for the 130open time slots. That brings up another point that couldn’t be emphasized enough– play, play, play asmuch as you possibly can. Find your support base then leverage theopportunityto linkupwithamiddle-lineupACL How to Get Booked at Austin City Limits Advice for Getting Your BandNoticed by Tara Lacey photo by Paige Cavazos

Austin Press Outlets

JonLord,co-founderofBritishrockgroup Deep Purple, died July 16 of a pulmonary embolism at age 71. Lord was a talented rock organist, and co-wrote many of the group’s biggest hits, such as “Smoke on the Water,” “Child in Time” and “High wayStar.”DeepPurple isknownasoneof thefirst bands topopularize aheavymet

THE AUSTIN CHRONICLE PO Box 49066

Austin TX 78765 (512) 454-5766 mail@austinchronicle.com austinchronicle.com TEXAS MUSIC MAGAZINE P.O. Box 50273 Austin, TX 78763

OBITUARIES

band and tour. Festival promoter Amy Corbin with C3 Presents states that she spends as much time, if notmore, booking themiddle of the bill. She has the challengeofpleasinga fanbase thatpurchases their tickets blindly so she has developed a knack for pin ning the next big name just ahead of the curve. An in with another up-and-comer is a great way to get your foot in thedoor. ACLLive lends the AustinCity Limits its nam ing rights - a big reason the festival sawsuch a swift rise to fame. The festival promoters have always been careful to book acts within the long running television show’s eclectic feel. ACLLive features an opencall for artists.

LOCAL NEWS

musical soundscapes, an oddity in the ’90s rock era. The group released two records before Doss departed. Olivia Tremor Control recently reunited and played at thePitchforkMusicFestival inChicago.

al sound, particularlywith theirmost successful album, MachineHead . Later in his life, Lord performed in other bands such as Whitesnake, Paice, Ashton &Lord, andTheAtwoods.

AUSTIN MUSIC + ENTERTAINMENT (WEBZINE) 13581 Pond Springs Road, Suite 450 Austin, TX 78729 THE AUSTIN AMERICAN STATESMAN P.O. Box 670 305 S. Congress 78704 Austin, TX 78767-0670 (512) 445-3500 news@statesman.com austin360.com

Mihaela Ursuleasa, 33 Romanian Pianist

Marvin Hamlisch, 68 Iconic Composer

Mihaela Ursuleasa died August 2 from a cerebral hemorrhage at age 33. Ur suleasa was a brilliant Romanian pia nist who, in her short 15-year career, had already made prestigious appear ances at the Queen Elizabeth Hall, in Birmingham with the city orchestra, and Wigmore Hall with the Belcea

Marvin Hamlisch died August 7 at age 68 after a brief illness. Hamlisch has won everymajor award inhis composing career, conducting and arranging music for Broadway and Hollywood alike with three Academy Awards, four Emmys, a Tony, and three Golden Globes (the elusive EGOT). His movie scores define

Send submissions to Terry Lickona c/o ACL Live 310 W. Willie Nelson Blvd. Austin, TX, 78701

Quartet. She flourished in solo performances, allowing her masterful re straint to dictate performances that quickly labeled her as a prodigy. Ur suleasa was known for her enthusiasmand sparkling personality that was reflected in her spirited playing.

iconic works such as The Sting, The Way We Were , and Ordinary People . On Broadway he composed for AChorus Line and Goodbye Girl amongmany oth ers. He was also a principal pops conductor for symphony orchestras all over theUnitedStates.

REPUBLIC OF AUSTIN (BLOG) 1108 Lavaca St Suite 110-448 Austin, TX 78701 (512) 761-6397 republicofaustin.com

Jason Noble, 40 Pioneer of Post-Rock

Bob Babbitt, 74 Motown Bass Player

‘NITES (BLOG) nitesblog.com

Art Outside Offers EDM Opps in Austin Unique Fest Highlights City’s Arts Culture

Guitarist Jason Noble passed away Au gust 4 at the age of 40 froma rare formof cancer called synovial sarcoma. Noble was a prominent member in the Louis ville, KY music scene, forming Rodan, Rachel’s, and Shipping News. Rodanwas one of the first bands to develop the genre of “post-rock” by avoiding the poppy side

Funk Brothers member and prominent Motown musician Bob Babbitt passed away July 16 at age 74. His bass can be heard in the iconic Gladys Knight and the Pips hit “Midnight Train toGeorgia” and Stevie Wonder’s “Signed, Sealed, Delivered” as well as in the music of other legends such as Smokey Robinson,

by Tara Lacey

OVRLD (BLOG) Daniel@ovrld.com

COVERT CURIOSITY (BLOG) covertcuriosity@gmail.com KUT (University of Texas at Austin) (512) 471-1631 texasmusic@kut.org

of indie rock and swaying towards a more complex, rougher sound. Rachel’s was a stylistic departure from Rodan, creating lush instrumental pieces that blendedpost-rock and classicalmusic.

Marvin Gaye, the Temptations, and Barry Manilow. After leaving Motown, he recorded with Frank Sinatra and other popular musicians, eventually per forming onover 200Top40hits.

TAPEBOMBS (BLOG) tapebombs.com musicblog@tapebombs.com nate@tapebombs.com

In recent years, electronic dance music (EDM) has seen a resurgence that has managed to perme ate pop culture. In amusical playground born from underground roots, the scene still lends itself to opportunities for DIY/indie artists to showcase their skills. One Austin-area festival celebrates art of all kinds–music isnoexception. Art Outside is a festival currently in its eighth year, creating a small, intimate, unique atmosphere. The overall experience is the priority for Warren McKinney, the festival’s founder, so the stage that the Art Outside team creates for all of its artists is one of whimsy, wonder, and exploration – and that auracarriesover to themusic. One of the best things about a festival that cel ebrates art in all its forms is that they are open to

www.artoutside.org

Tony Sly, 41 Singer, No Use for a Name

Kitty Wells, 92 Country Legend

hearing yours and if they accept your application to play the stage, your performance will be a once in a lifetime experience. The lights, mood, stages - the whole package will set the mood for your audience. The community will welcome you and embrace your art form, just as they hope for you to embrace theirs. If you’re an aspiring electronic artist then opportunity exists within this Austin gem. Check out their website - they accept performer applica tions openly. Approach Art Outside with an open mind and a passion for your work, and see where it takes you.

AUSTIN BLOGGY LIMIT S austinbloggylimits.com birkley3030@austinbloggylimits.com

NoUse for aName singerTonySlydiedat age 41 on July 31. Sly replaced JohnMey er as front man for the group in 1989 and went on to have a successful two-decade runwith the band. The group’smost suc cessful album, ¡Leche con Carne! , was re leased in 1995 on Fat Wreck Chords and featured the popular single “Soulmate.”

Known as the “Queen of Country Mu sic,”KittyWellspassedawayat age92on July 16. Born inNashville,Wells grewup performingon local radio. In1952she re corded “It Wasn’t God Who Made Hon ky Tonk Angels” with Decca Records, which quickly climbed the Billboard charts, allowing her to become the first

AUSTIN SOUND (WEBZINE) PO Box 4028 Austin TX 78765-4028 theaustinsound@gmail.com austinsound.net

Sly was known for contributing his intense energy and passionate vocals. Most recently Sly released a handful of acoustic solo albums, including Sad Bear in2011.

female artist to top the Billboard country singles. Between 1952 and 1979, she appeared on the Billboard charts 81 times and was inducted into the Country MusicHall of Fame in 1976.

For more listings, visit performermag.com

6 SEPTEMBER 2012 PERFORMER MAGAZINE

SEPTEMBER 2012 PERFORMER MAGAZINE 5

2000W TruSource ™ Technology DL2 Integrated Digital Mixer

DLM12

How can something so small be so

Step up to an entirely new level of sonic innovation. Mackie DLM Powered Loudspeakers are packed with cutting-edge technology, delivering a staggering 2000 watts of power in the most compact design ever. It also features the first-ever integrated digital mixer and groundbreaking system processing. After all, you’re the one putting blood, sweat and tears into perfecting your performance. Your PA had better be able to keep up. The New Shape of Sound – Mackie DLM

powerful? Watch the video and find out how Mackie packed in all that sound!

DLM12S

DLM8

MACKIE.COM/DLM

© 2012 LOUD Technologies, Inc. Al l r ights reserved. “Mackie” and the “running man” are registered trademarks of LOUD Technologies. Refrain from standing on the DLM after 12 or more dr inks. And by “dr inks” we mean grape juice.

P R E S E N T S

that you’ll attend these great shows... Boston @ Church September 28 Atlanta @ The Drunken Unicorn

San Francisco @ Slim’s September 29 feat. William Elliott Whitmore

September 22 feat. Nigredo Utah Demonaut Doors @ 9:00 pm $5 - 21+

Jason Bennett & The Resistance Annual Little League Benefit feat. Scars, The Blue Bloods, Nick & The Adversaries, Matt Cherette Doors @ 8:00 pm $10 - 21+

Samantha Crain Doors @ 8:00 pm $16 all ages

Brought to you by:

the truth is out there.

DENVER

NEWMOBILE APP

5 MINUTES WITH... Bret Saunders Host, BCO Morning Show (97.3 KBCO) COLUMNIST, DENVER POST

their own songs by dragging notes into a visual field. Sketch-a-Song is a digital instrument that, unlike any physical instrument, makes it impos sible to play a wrong note. The key is a series of harmonic templates coded into the app, each of which represents a progression of two penta tonic scales. As the song plays back, the palette of available pitches automatically adapts to fit the current chord in much the same way that a jazz soloist navigates a series of chord changes. The result ismusic that can be dynamic andmusically interesting, but still well within the grasp of the ordinary user. In addition to solo creation, Sketch-a-Song features a collaborative mode, which follows the turn-based gaming model of successful apps like Words With Friends and Draw Something, and allows users towork onmusicwith friends via the mobile web. The developers trace the genesis of their idea to the noisy found-object beat sessions they used to hold in the middle of their seventh-grade his tory class. But they have come a long way since their pencil-tapping days. Sketch-a-Song is scheduled to be released for iPhone and Android in September.

“Sketch-a-Song” to be Released Later This Month App Aims to SimplifyMusic Creation

LOCAL NEWS

By Zack Sulsky

Interview by Zack Sulsky

The idea of carrying thousands of songs in your pocket has become almost ubiquitous, but what about carrying a tool that can help youmake them? A team of seven Denver-native college students is getting set to release a new app called Sketch-a-Song, which they think can bring out the composer in everyone. With Sketch-a-Song, musicians and non musicians alike can easily and rapidly build

30 second bio. I began at my high school radio station outside of Detroit. Ten raw watts of power on the FM dial. From there I worked at an NPR affiliate in Michigan that played jazz. Not smooth jazz, either...the real stuff. What a great introduction to the music world, by the way, meeting and recording per formances by absolute geniuses who were (and still are) undervalued. After college I traveled around the U.S. before settling in Denver. I’ve been at KBCO for 15 years this week, holding down themorning drive shift. It’s the best job. Who are three local artists that you find most exciting? The Lumineers are getting a lot of peo ple excited, as far as rock goes. For jazz, I like anything that the trumpeter Ron Miles does. Eric Allen from The Apples in Stereo has a new band, The Babysitters. I’m excited about that. Be really good at what you do. I’ve heard many CDs and MP3s from people who have interesting ideas but aren’t ready for the medium time (I have no idea on how to make it in the big time.) So have your persona developed the best that you can. I can’t speak for the rest of the country, but in Denver, it seems like a better time than ever to be an independent artist. There are so many places to play. What advice would you give independent musicians looking to get noticed?

www.09linedevelopment.com

Evergroove Studio Solar-Powered Studio in the Foothills

STUDIO PROFILE

Located in the scenic foothills of Evergreen, only forty-five minutes from downtown Denver, Evergroove Studio was founded to bridge the gap between pricey high-end stu dios and low-quality amateur studios in the Denver area. The Evergroove staff aims to offer excellence in sound and customer ser vice at affordable rates, all while remaining energy-conscious with their solar-powered facility, thefirst of its kind in theFrontRange.

PRODUCTION APPROACH

EQUIPMENT LIST -Soundcraft 6000 30-ChannelMixer -AKG, AudioTechnica, Blue, Shure,

Evergroove is not a genre-specific facil ity, so their production approach varies from one project to the next, but they emphasize sensitivity to each artist’s creative spark.

SennheiserMics -TannoyMonitors -ProToolsHD2

CONTACT INFO P.O. Box 3232 - Evergreen, CO80437

PAST CLIENTS HeavyWood

(303) 674-7618 evergroove.com info@evergroove.com

Michael Aldridge FrogsGoneFishin’ MountainStandardTime

For more info, visit www.kbco.com/pages/bco-morningshow.html

SEPTEMBER 2012 PERFORMER MAGAZINE 9

RADIO PROMOTION (terrestrial, satellite, internet)

Dresden Dolls Bad Plus Girls Guns & Glory String Cheese Incident Esperanza Spalding Medeski Martin & Wood Steve Winwood Gov't Mule 311 Janis Ian Jim's Big Ego Stanley Clarke Umphrey's McGee Gretchen Parlato Miss Tess Mike Stern Soulive Maceo Parker

PUBLICITY AND TOUR SUPPORT (print press and viral)

call: 800-356-1155 www: powderfingerpromo.com